![]() The sound of the amp itself is a huge factor for the overall tone of the guitar-and if it wasn’t right in the beginning, fixing it with EQ isn’t always an option. It’s part of the reason the original reamping devices were created. Getting guitar tracks to sit right in a mix can be tough. Reamping works by converting the balanced line level signal from your audio interface’s output to an unbalanced instrument level signal suitable for guitar gear. This pioneering device has become a staple in recording studios for a reason, so if you want to stick to the tried and true solution, this is the one to consider. The Radial JCR is the original John Cuniberti passive reamp design. If you’re looking for a top quality studio solution, the Redeye 3D should be on your list. It’s a combined DI and reamper that makes it easy to get perfect reamps every time. The Littlelabs Redeye 3D is a professional problem solver for instrument signals. The Pro RMP is a passive reamp device that’s perfect for sending DAW signals to amps and effects. Radial offers its own range of affordable signal tools with the Pro line. Get the tools to shape your sound with 30+ synths, instruments, effects and utilities plugins from industry leaders like Arturia, UJAM and more. This compact reamper gives you two independent reamp channels that can come in handy for stereo effects-all at a price that won’t break the bank. That’s why it’s great that there are some budget-friendly options available like the ART Dual RDP. Studio quality reamp devices can be pretty expensive. It’s a perfect solution for general studio reamping tasks. The X-Amp is based on the original Reamp spec with the addition of a high quality buffered output for driving longer cable runs. Radial acquired Cuniberti’s patent for the design and now makes official versions of the original. The original Reamp technology was created by studio engineer John Cuniberti. Here’s a list of some of the top picks available right now. With the basics out of the way, you’ll need a reamp box to use this technique properly. If you’re not careful it can cause runaway feedback! Make sure not to engage input monitoring on the send and return tracks at the same time. Hot tip: Reamping naturally creates a looped signal path. Record the processed signal on a new track in your DAW.Use a microphone or DI box to capture the processed signal from the amp or effects unit.Route the track you intend to process to the interface output.Connect the output of the reamp box to the input of the amplifier or effects pedal chain.Otherwise you won’t be able to hear what you’re working on! Connect the reamp box to an unused output on your interface-you’ll need to keep at least one stereo pair available for monitors or headphones.Here’s how to set up a reamp chain in 5 steps: To do it correctly you’ll need a reamper, some guitar gear and an audio interface with more than two outputs. The reamp box manages the electrical qualities of the signal to ensure it will sound right through an amp or stompbox. It’s done using a special piece of equipment called a reamper or a reamp box. ![]() It’s now popular to reamp vocals, synths or drums to take advantage of the unique and inexpensive processing available with guitar pedals. Even if you’re not a guitarist, using guitar effects and reamping is one of the easiest ways to get outboard gear into your workflow.
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